Ilya CascadLas Vegas/ Nevad aOrnamental.ink Tattoo Studio (@ornamentalink)Instagram @ilyacascadTikTok @ilyacascadWebsite: ilyacascad.com

From Las Vegas, we present Ilya Cascad: Master of Ornamental Tattooing and Optical Illusions

Ilya Cascad has established himself as a leading tattoo artist specializing in the ornamental style. Known for his unique designs that combine optical illusions and three-dimensional art, he transforms the body into a living canvas.

Founder of Ornamental Ink, his studio is dedicated exclusively to this style, attracting like-minded artists and building a global community through annual gatherings.

We invite you to discover more about his journey, artistic vision, and the challenges he faces in each creation in this inspiring interview. Ilya's passion for exploring new techniques and his personalized approach to every project make him a true reference in ornamental tattooing, constantly redefining the boundaries of this art.

1. What led you to experiment with optical illusions in your tattoo designs?  

I wanted to create something that hadn’t been done before, something truly unique. That’s what led me to experiment with optical illusions in my tattoo designs. I was inspired by the work of old tattoo artists who incorporated elements of optical illusions into their designs. Building on their ideas, I decided to experiment on a larger scale to push the boundaries of what was possible. The results amazed me—I loved how the designs turned out, and so did my clients.

2. Your designs are astonishing and unique.  

What is the creative process behind transforming the body into a three-dimensional canvas?  

I create a custom design for each client, starting with their preferences, my experience, and my ideas, while working with the specific part of the body they’ve chosen. When designing, I aim to avoid repeating my previous work or copying the designs of other artists. My focus is always on crafting something truly personal. Every design I create is unique and tailored specifically to the individual client. 

Each project is so experimental and distinct that it often requires me to develop new techniques and solutions during the process. This constant challenge makes my work incredibly exciting and keeps every project fresh and innovative.

3.Using the human body as an integral part of your tattoo designs is highly innovative.  

How do you balance the client’s anatomy with the technical complexity of your illusions?

When developing a design, I rely on my instincts and take the client’s anatomy into careful consideration. I create designs that complement the body’s natural form—highlighting certain features while subtly concealing others. This approach allows me to maintain a balance between the proportions of the body and the concept of the tattoo, ensuring that the final result feels harmonious and visually striking.

I would say that I don’t simply create tattoo designs—I shape them to become a part of the person’s body.

4. What initially drew you to this style, and how did you discover it was the right fit for you?  

In the early stages of my career, I experimented with various styles, but it was in ornamental tattooing that I truly found myself. When I’m designing or applying a tattoo, I lose track of time—every moment of the process captivates me completely. From creating the design to bringing it to life on the skin, I’m fully immersed in the work, giving it my absolute focus. 

When I completed my first piece in this style, it received a lot of attention on social media, and that was when I realized how much I genuinely enjoy working in this way. That moment marked the beginning of my journey into the world of ornamental tattooing, and I haven’t looked back since.

5. Tell us about the studio Ornamental Ink.  

What was the inspiration behind its concept, and how does it reflect your artistic vision?  

Before opening my studio, I traveled extensively, visiting tattoo studios around the world. While traveling, I observed how different styles varied in their popularity. I also noticed that the ornamental style often remained in the underground of the tattoo industry, despite its incredible artistic potential. 

When the opportunity arose to open my own studio, I decided to create a space dedicated entirely to the ornamental style. My vision was to build a team of talented artists, each with their own unique touch and signature approach to ornamental tattooing. The goal was not only to bring together like-minded creators but also to popularize the ornamental style, making it more accessible and appealing to a broader audience.  Additionally, this studio has become an incredible opportunity for growth—not just for myself, but for everyone involved. Working alongside people who share the same passion for this style inspires us to develop our skills and evolve together as artists."

6. Since the creation of Ornamental Ink, how has the studio evolved?  

Is there a moment or achievement that makes you feel particularly proud?  

Our studio has been operating for over two years now, and during this time, we’ve not only grown but also found several talented artists and like-minded individuals who share our passion for the ornamental style. These are people we enjoy working with and feel truly comfortable collaborating alongside, which has been instrumental in shaping our studio’s atmosphere.

In addition to the studio, we decided to further popularize the ornamental style by creating a community of ornamental tattoo artists. First, we launched a public Instagram page where we showcase the best works of ornamental tattoo artists from around the world.  

We also organize an annual gathering of ornamental artists from different parts of the world at one of the largest conventions in the United States—Golden State Tattoo Expo. We started this initiative three years ago, and our first meeting was relatively modest, with only six artists. However, they were some of the brightest representatives of the style in the U.S., and we had an incredible time together. We agreed to continue meeting every year, and with each passing year, the number of participants has grown. By 2025, the size of our gathering will have doubled. 

Each year, more and more artists join us, and we always have an amazing time together. It might seem like a small step, but I believe we are doing everything we can to promote and develop this style. Every year, it becomes more exciting and rewarding. I see this as both a contribution to the popularization of the ornamental style in America and my personal achievement.  

I have great respect for all the artists who have participated in these conventions, those who supported us during the early gatherings and continue to grow this movement with us. Thank you, everyone—you’re the best!

7. Tattooing as an art form is constantly evolving.  

How have you adapted your techniques or styles to new trends or technologies in tattooing?  

Yes, I agree—tattooing is constantly evolving, and this process never stops.

In my work, I use the latest and most advanced equipment available to ensure that my clients feel comfortable during the tattooing process and have an easy healing experience. My goal is always to deliver the best possible results, leaving my clients completely happy with their tattoos. Because this is the goal. Naturally, I stay up-to-date with the latest technological advancements in tattoo machines and pigments, constantly improving my approach and tools.

I also pay close attention to the role of social media, as it has been instrumental in making my work more visible and appreciated by those who value the ornamental style. I actively track trends on social platforms and do my best to keep up with them, as everything in this industry evolves very quickly.

8. What are the biggest technical challenges you’ve faced when creating this type of design?  

The most technically challenging project I’ve ever worked on was creating a full back piece tattoo for my wife. This was between 2015 and 2017, and it was a pivotal moment in my career. At the time, I had the opportunity to travel to a country I had never been to before and showcase my abilities. I wanted to create something extraordinary—something I had never done before. This project became one of the biggest challenges I’ve ever faced for several reasons.

The first challenge was conceptual. I had to design something massive and unique, unlike anything I had created before. It had to be bold and innovative because it would represent my capabilities to the global tattoo community. The second challenge was personal. My wife was the perfect canvas for this project because she could travel with me to conventions and exhibitions, allowing me to present my work internationally. 

The third challenge was technical. At that point in my career, I didn’t have the level of experience I do now, and taking on such a large and complex piece pushed me far beyond my comfort zone. I had to push my skills to their absolute limit to make it work. 

Finally, there was the cultural aspect. Tattoos weren’t as widely accepted in my country at the time, and my wife’s parents were strongly opposed to the idea of her getting a tattoo. Convincing them and navigating these cultural differences was yet another hurdle to overcome.

Despite all these challenges, I completed the tattoo, and it was a turning point in my career. We showcased the finished piece at a convention in New York, where it won first place in multiple categories, including ornamental and backpiece design. Even now, almost a decade later, I look back at that tattoo with pride and amazement. With all the experience I’ve gained since then, I still can’t quite believe how I managed to execute it so flawlessly at that stage of my career. It remains the most challenging and significant project I’ve ever undertaken, and I’m proud to say that I rose to the occasion.

In general, every project I work on is a challenge for me because I feel a responsibility to my clients and the need to make each project as high-quality as possible.

The most technically challenging project I’ve ever worked on was creating a full back tattoo for my wife. This was between 2015 and 2017, and it was a pivotal moment in my career. At the time, I had the opportunity to travel to a country I had never been to before and showcase my abilities. I wanted to create something extraordinary—something I had never done before. This project became one of the biggest challenges I’ve ever faced for several reasons.

The first challenge was conceptual. I had to design something massive and unique, unlike anything I had created before. It had to be bold and innovative because it would represent my capabilities to the global tattoo community. The second challenge was personal. My wife was the perfect canvas for this project because she could travel with me to conventions and exhibitions, allowing me to present my work internationally. However, this also brought intense pressure, as I live with her every day, and if I made even the smallest mistake, I would see it constantly. This made the process extremely meticulous and focused.

Beyond the technical and professional aspects, this project was also deeply meaningful to me on a personal level. My wife is someone I love very much, and I wanted to create something special for her—something that she could be proud of and that would make her feel more confident in herself. Seeing how people constantly compliment her backpiece and admire the work has been incredibly rewarding, especially knowing it has brought her so much joy.

The third challenge was technical. At that point in my career, I didn’t have the level of experience I do now, and taking on such a large and complex piece pushed me far beyond my comfort zone. I had to push my skills to their absolute limit to make it work. Adding to the difficulty, this was not a project I was presenting in a familiar environment or to people I knew—it was for an audience in an entirely different country. This created a sense of responsibility and pressure to live up to international expectations.

9. Do you feel a sense of responsibility being regarded as a reference in the tattoo world?

I wouldn’t say that I see myself as a reference or a leading figure in this style—at least, not yet. I strive to become someone who can be regarded that way, and I would love to reach that level one day, but I wouldn’t say I feel like I’m there now. However, I absolutely do feel a strong sense of responsibility every time I create a design. 

That responsibility is primarily toward the client who trusts me with their body. When I tattoo someone, I feel accountable to ensure that the work I create is meaningful and special.  

The point of a tattoo is to bring happiness and pride to the person wearing it.

I always approach my work with the utmost care and responsibility toward the client who has entrusted me with something so personal and permanent.

10. What does tattooing represent for you?  

Is it a form of expression, an emotional connection with clients, or something else?  

To me, tattooing is a blend of self-expression and collaboration. It’s about connecting with my clients on an emotional level and transforming their ideas into meaningful artwork. Each tattoo is a unique creation that reflects both my creativity and their individuality, making the process deeply rewarding.

11. If you could give advice to tattoo artists starting in experimental styles like optical illusions, what would it be?  

My advice is to create designs that make people feel confident and happy.

12. We offer you this space to share any message, reflection, or thought you'd like to express, or simply to convey your gratitude.

Thank you for the opportunity to share my story and approach to tattooing. For me, it’s not just a job or an art form—it’s a way to connect with people, bring their ideas to life, and create something that will stay with them forever. Each piece I create is the result of collaboration and deep respect for the individuality of my clients. I hope this conversation helps to highlight how diverse and emotionally meaningful tattoo art can be. I’m excited to take on new projects, face new challenges, and continue growing alongside this incredible art form.